Travel Blanket

My on-line course continues.

The first step was dying some fabric.

Three dyed fabrics to consider. I wanted to use the middle one
but the one on the left turned out to be better.
Sometimes you have to listen to what your fabric is telling you!

The next step was looking for fabric that would help me tell the story of my travels.

I am ready to layer the back, the flannel and the top together and baste it using the tailor's basting stitch.

Then comes the stitching. I am looking forward to that part. I bought some nice threads.

4 small hand-dyed silk spools, made in Romania (Valdani)
 and a gift from my friend Gabriella
of hand-dyed silk thread from Umbria

Couldn't Resist

This is the third (and last!) antique quilt I bought while in Montreal a few weeks ago. It is another from appraiser Diane Shink's collection.

It is a bar quilt and has the proper uneven number of stripes, or bars, not counting the background stripes.

The front is made of red wools and black cotton sateen and there is a twill weave on the back.

It is hand quilted using the traditional baptist fan pattern.

From looking at the binding as one of the clues, Diane is confident saying it was made in Canada, circa first quarter of twentieth century.

It has a good example of twill weave on the back.

The red stripes go right from the top of the quilt to the bottom edge. The Mennonites have their bar quilts set with a frame or border all around the quilt.

It is in pretty good shape.

I could not resist! Could you for twenty dollars?

Laurentian Hills

Meredith Filshie, artist and business woman, dropped by on her way back home to Ottawa with the work, Laurentian Hills.

Laurentian Hills, detail,
upper panel by Meredith Filshie
bottom panel by Robin Field

It is a piece that I am including in the France show, Tradition in Transition.

What I liked about it was the fact that 20 women worked on it together. Each created a quadrant in textile of the painting entitled Saint Sauveur by Anne Savage, a contemporary of the Group of Seven.

Laurentian Hills, detail,
panel by Deborah Bates
It is all stitched!
-something I missed when I saw the photograph

Having the piece there in front of me was so much better than seeing the picture! There is such detail in every panel.

Cynthia McNair's 12 inch square panel

Bethany Garner's 12 inch square panel

Mary Cope's 12 inch square panel

All twenty panels fit together harmoniously yet each is an individual work of art and reflects the artist's style.

Art and Money

Is ART a material that is put up for sale?

Given the economic state of this time, are artists going back to poverty and unemployment?

Will artists start changing what they are creating in order to sell their work?

The Black Vase, detail

I haven't sold anything of mine in the last 3 years. I have had interest at many exhibits but no sales. I have looked at textile art that has sold. Many of those pieces are 'pretty'. I don't want to make pretty things. I want to make what I want to make.

This is as pretty as I get!

The Black Vase is for a show in Viterbo, Italy.
The theme of the event is ROSES.
I used H. Matisse' work as inspiration

British artist Damien Hirst's (Spot Art) business manager told him, "Be careful not to chase the money with the art but to chase the art with the money."

Teaching in Italy

I am proud to say my proposal to the Abruzzo School of Creative Arts has been selected and I will be teaching in Sulmona, July 23 to 30, 2013.

flickr image by Greenery

All are welcome. The course will be given in english but I also speak fluent french and italian and my german is a little rusty! What an experience it will be for me and the students!

Flickr image by padesig

Here is an excerpt of my course outline:

She will lead a group through the process of educated observation. Students will generate a record, in journal form, of their awakening to this emotional response to both the natural and the man-made world of Sulmona, Italy.


During morning walks, participants will record patterns, shapes and colours so that they may “capture the moment”, later taking these memories home to their studios where they can create at leisure when making larger works. Sandra works with the philosophy of using what is on hand to create with and be inspired by, so the focus of the daily walks will be tied to that way of working.

To learn more about the course click here.

 Flickr image by Greenery

Start saving up! If those dates don't work for you, check out my other two textile trips to Italy that are coming up.

Flickr image by Franciov

Che bello!

More pictures from the ETQG

A member sent me a few pictures from the talk I gave at the East Toronto Quilter's Guild.

The topic was Beyond the Hobby Quilter and focused on marketing your work.

I showed some quilts related to the points I was making.

Scrap quilt-the only kind I ever make.
These kinds of bar quilts traditionally have an odd number of bars
 (not counting the background bars)
but this one has an even number.

I talked about the way I work. I don't sketch. I make postcards.
Member, Del, liked these cards.

People were interested in my contemporary work.

I showed a piece that is in progress.
It is hand dyed with natural dyes
(pomegranate and turmeric)
and stamped (paint). It will be part
of my "map" series.

And here is Bill holding up a piece I made at the Toronto School of Art.

What is with that piece?? It always gets photographed wrong! LOL
Here we see it upside down.
Click here to see it sideways!

Speaking in East Toronto

I was invited by the East Toronto Quilter's Guild to speak at their monthly meeting. My topic was "Beyond the Hobby Quilter".

I brought 18 pieces related to my topic to show the members.

Blue Depression is one of the pieces I brought. It is still one of my favorites.

Blue Depression, detail
photo by Carolina Dal Dossi

I made it in 2006 for a contest in Italy but it missed the show, BLUE, because it was held at Italian customs for a week.

I ended up submitting it the following year in Trame D'Arte in Verona, Italy, and it was awarded 3rd prize in the contemporary category. I received $800 worth of fabric, which I left in Italy and use when I'm there. I can now say I am an international, award-winning textile artist!

It's got paper and actual (altered) photographs in it and since it has been handled while traveling it's a little tattered in spots.

Blue Depression, 40" x 38.5", 120 cm x 98 cm
photo by Carolina Dal Dossi

Later, it was photographed for an Italian calendar (2008) and was selected for the poster for Festival Internacional de Patchwork and was part of the Italian exhibit at the same event in Sitges, Spain, 2009. 


I am giving the same talk in November at the Mississauga guild. (see speaking engagements)


Everyone is welcome.